(L-R) | Bashaer Hawsawi, Warm Space 1, 2018, Red Broom with African Cloth, 49 x 43 x 44 cm. Courtesy of Hafez Gallery and the artist. | Nefeli Papadimouli, Dream Coat, 2024, Cotton and wooden structure, 150 x 160 cm. Courtesy of the artist and THE PILL®. | Wael Shawky, The Gulf Project Camp: Sculpture # 3, 2019, Bronze, 50.8 x 120.7 x 61 cm, 20 x 47 1/2 x 24 in. © Wael Shawky, Courtesy Lisson Gallery. | Kader Attia, Le grand miroir du monde, 2017, mirrors, site specific dimension, Galleria Continua San Gimignano. Courtesy the artist and GALLERIA CONTINUA. Photograph by Ela Bialkowska. | Lulwah AlHomoud, 100 Names of ALLAH, 2018, Silkscreen on archival paper, 40 x 30 cm. Courtesy of Lulwah AlHomoud and LAHAF_SA. | Maha Malluh, September in Paris (from the series: Tradition & Modernity), 2010, C-print in Light box John Jones London, 122 x 156 cm. Courtesy of Galerie Krinzinger and Maha Malluh
(L-R) | Bashaer Hawsawi, Warm Space 1, 2018, Red Broom with African Cloth, 49 x 43 x 44 cm. Courtesy of Hafez Gallery and the artist. | Nefeli Papadimouli, Dream Coat, 2024, Cotton and wooden structure, 150 x 160 cm. Courtesy of the artist and THE PILL®. | Wael Shawky, The Gulf Project Camp: Sculpture # 3, 2019, Bronze, 50.8 x 120.7 x 61 cm, 20 x 47 1/2 x 24 in. © Wael Shawky, Courtesy Lisson Gallery. | Kader Attia, Le grand miroir du monde, 2017, mirrors, site specific dimension, Galleria Continua San Gimignano. Courtesy the artist and GALLERIA CONTINUA. Photograph by Ela Bialkowska. | Lulwah AlHomoud, 100 Names of ALLAH, 2018, Silkscreen on archival paper, 40 x 30 cm. Courtesy of Lulwah AlHomoud and LAHAF_SA. | Maha Malluh, September in Paris (from the series: Tradition & Modernity), 2010, C-print in Light box John Jones London, 122 x 156 cm. Courtesy of Galerie Krinzinger and Maha Malluh